亲密的外人

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入围2020年釜山电影节当代韩国电影单元

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白雪覆盖的黑龙江，我军某部边防连队。雪地潜伏演习正在进行，这时团长却失踪了，全连部分干部战士寻找团长。团长与正在潜伏的快反班遭遇，一名战士用蒙古族招式将身强体壮、军事素质极好的团长制服，他就是快反班班长邰忠利。这个班本应在此次演习中取得第一名的成绩，可却偏偏给了第二名的奖牌，班长邰忠利和连长发生争吵，战士们也很不理解。大款兵隋力方更是牢骚满腹，对下一步的训练持消极态度。准备考军校的梁冬也一筹不展。邰忠利是一名蒙古族战士，他的家在呼伦贝尔草原深处。他的表姐是军区文工团的演员，他很想参军。可就在他入伍出发的前一天，老实巴交的哥哥的对象又黄了，给哥哥娶上老婆是他很大的心愿。邰忠利决定这个兵不当了，可是他被奶奶逼出了家门，逼到了队伍上。邰忠利正和几位战士进行超强度训练。大家憋着劲儿准备在下一次比武中夺回荣誉，纷纷在“第二名”的“二”字上按下鲜红的手印。这时一个女孩儿出现在连队，她叫冰冰，邰忠利的爱情也随之而来。忽然接到地方公安机关的协堵通报：一要犯企图越境。邰忠利和战友们驾车围堵，可是围堵到的目标却是一个“女人”。团长在来连检查工作时勉励邰忠利，并揭开了“第二名”之谜。战士们更鼓起斗志。老班长复员后和妻子一起在山中守林子，冰冰从嫂子处听到邰忠利和边防军人的很多故事，冰冰很感慨。村里的一户人家突然起火，邰忠利舍身扑火救人，十分壮美。邰忠利的哥哥要结婚了，他很高兴，从部队休假赶回家，为哥哥筹备婚礼。因为为哥娶一个好媳妇一直是他最大的心愿。可是天不遂人愿，当婚礼一切准备停当时，女方却突然“变挂”了。邰忠利再次产生了复员的想法，又被奶奶骂回了部队……省军区快反班比武开始了，邰忠利班过关斩将，一路突飞猛进，遥遥领先。在最后一个科目6公里负重奔袭中的末段，邰忠利班已稳操胜券。这时，江边传来呼救声，筋疲力尽的邰忠利扑进江中，将溺水者推到岸上，而自己却化作黑龙江上一朵美丽的浪花。军民全力搜救……邰忠利被追认为革命烈士。邰奶奶得知这一消息，老泪纵横，高亢的蒙古长调在草原上空回荡。奔流不息的黑龙江依然静静地流淌，孤独的冰冰站在江边的小船上，悲恸地呼喊着……

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　　纽约一家公共广播电台的记者艾萨克（汤米·尼尔森TommyNelson饰），在年幼时因车祸丧失了双亲，自己也因此坐上了轮椅。生活的平静被一个名为“中国古代女孩”的神秘人的信息打破，这条信息揭示了一个健全的男子企图贿赂医生，以故意截断自己的腿。艾萨克决定深入调查这个事件，追求独家新闻。

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　　身无分文的记者丘克（Kirk Douglas 饰）流落一座新墨西哥州的小城，他舌如巧簧向当地报馆的主编推销自己，宣称自己有制造新闻的天才。波澜不惊的小城生活让曾经供职纽约的丘克倍感无聊。这天，主编令丘克外出采访，丘克于路却意外遭遇一名小镇店主里奥被困山洞。丘克敏感的意识到这件事情背后的新闻价值，他迅速联系州长、工程队与医生。随着丘克的一篇篇报道，观看施救过程的民众陆续赶来，本欲离开的里奥妻子因为看到有利可图而选择留下，并与丘克站到了同一阵营，丘克安排采用费时的营救方式来维持事件的新闻热度。几天内人群不断涌入，营救现场俨然成为游乐场。丘克与纽约的老上司讨价还价之时，洞中的里奥却走到了生命的尽头……
　　本片获1952年奥斯卡最佳编剧奖。

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本片内容延续第一部，描述了主人公易遥（张鑫饰）、赵筱暖（汪昱含饰）毕业后进入社会所面对的种种情形，以及这些情形给异地相恋的他们带来的挑战，展现了面对情感诱惑、事业遭受打击、异地情感难以沟通等现实问题，主人公表现出的困惑、犹豫、怀疑但最终还是选择了爱情的情感历程。本片较之《我们都还太年轻》第一部增加了青年励志的主旨，也拓展了社会的内容，表现了社会现存的美好与丑恶，乃至这美好...

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本片基于真实故事改编，讲述的是Jimmie Lewallen和他的妻子Carrie 二战期间贫穷而悲剧的生活，然而他们彼此相爱，拥有快乐。Jimmy和他最好的朋友们找到了摆脱苦难人生的方法，参加赛车比赛，无意间成为了赛车比赛的英雄。他们没想到竟然成为了日后最赚钱运动的第一个英雄。这部电影是一部讲述爱情友情的动作片。

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裘德（克里斯托弗·埃克莱斯顿ChristopherEccleston饰）在农村长大，一心要用知识改变命运，考取大学成为了他的奋斗目标。但是，年少的欲望却让他与当地一个姑娘发生了关系，大学梦也随之破碎。不久姑娘远走澳洲，寻觅更美好的生活。剩下裘德和他的梦想，继续在这里萌芽成长。裘德为了能考上大学，专门搬到大学城附近苦苦寻求机会。同时在这里，表妹苏（凯特·温丝莱特KateWinslet饰）让他暗暗倾心。迫于亲缘的关系，二人都不敢打破禁忌。当苏嫁给了他人，裘德终于冲破了心中压抑已久的感情。他们不理世俗，不想后果，只要一起。即使流浪到天涯都无所畏惧。然而，不幸终究来临。他们的孩子为这一切付上了沉重的代价，裘德和苏的感情，亦迎来了寒冷的严冬。

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　　Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended.

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剧情简介
1990 年，一名傲慢的大学生因一项关系到印度教育系统的关键法案而参加学生暴乱。

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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.　　Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

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菲律宾电影荣耀，2012年最新情感佳作！讲述心碎女子与有妇之夫发生一夜情后出现如何让人心惊的后果